Within this framework, the project focuses on those artistic practices that re-elaborate the past with a markedly generational bias. These are thus “acquired memories” or “postmemories”, the latter understood as a cultural memory that calls on for reparations to victims of war and political repression, and for visibility for those silenced by history. [1] The specificity of postmemory lies in a hypermediated relationship between the historical fact itself and the account made by one who inherits that legacy. [2] This project therefore examines how contemporary artistic practices in Spain seek to boost processes of both reparation and remembrance, which allow dissonant narratives and alternate constructions of history and memory. However, for decades, art institutions and platforms did not commit to showing engaged art practices, especially those dealing with the traumatic past, and still today, institutions are somehow uncomfortable in this terrain. Thus, the main objectives of this project are threefold: to elaborate a critical cartography of memory-related artistic practices in Spain, from the late 1990s; to discuss the institutional framework and its lack of engagement with memory-related art practices; and to propose an extensive curatorial project dealing with this topic, that would be based on the notion of curating as ethical practice. Therefore, both a monograph and an exhibition are to be expected.